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Bengali

  • By Aritri Roy Chowdhury

Ask any Bengali, she will tell you that the advent of autumn (sarat) is marked by the fragrance of Pujo in the air or as we say in Bangla “Pujo pujo gondho hawaye”.

Pujo, Durga Pujo, is Bengal’s biggest cultural and religious celebration. Panchami to Dashami is 5 days filled with festivities eagerly awaited by all Bengalis across the globe. Being born and raised in a typical Bengali household and having grown up in Kolkata, Pujo marks a week of celebrations and good food for me. As children, we used to wait all year long for these five days. Pujo meant new clothes, good food, unlimited playtime, and “thakur dekha” (going around different pandals to see the Maa Durga’s idol). During Puja, we would gather at my grandparents’ house where our otherwise nuclear families would seamlessly integrate into a giant joint family. My father and uncles would take over the kitchen and household chores so that the women could take part in the festivities and enjoy. In fact, whenever there were any celebrations in the house or during weekends, the men took over the kitchen and my father’s eldest brother, my Jeu, was assigned the job of looking after all the children in the house. Jeu would feed us, bathe us, tell us stories, and take us out to nearby pandals. We never felt anything lacking in the caregiving process. Men and women equally participated in all household assignments.

As a child, I did not realize the immense significance of this seemingly tiny system in my house, but as an adult, I did. Law school was the first time I came across men who couldn’t cook or do any of the basic household chores and looked upon these tasks as only meant for ‘women’. I was taken aback. For me, the distinction between men and women never existed. I had grown up with three cousins, all boys, and never felt, or was made to feel, that I was any less than them. I was never asked to do anything at home because I was the ‘sister’ or the ‘girl’. Women in my family did not ‘serve’ men. They worked as a team. I understood much later that most Bengali households function similarly. Being in a girls’ school, I was surrounded by women all my life. Strong, independent women raised by parents who saw the child as a child and attached no merit to the child’s gender.

Durga Pujo to me is much like the normal Bengali household; it celebrates women and the entire city comes together to bask in the glory of the divine power that symbolizes victory of good over evil.

We were told the story of Durga Maa by my grandmother. Maa Durga, also called ‘Mahishasurmardini’ killed the deceitful, shape-shifting demon- Mahisasur. Legend goes that Mahisasur was granted a boon that he could not be killed by a ‘man or animal’. Thus, he assumed he was immortal and invincible because, for him, a woman was the weaker sex, who did not have the strength to defeat him. It was this arrogance that led to his downfall.  Maa Durga, the Shakti that runs the Universe, not only killed Mahisasur but also vanquished his pride of being a ‘man’, of being more ‘powerful’ than a woman.

This year’s Pujo somehow has brought the legend back to life. It is different from the Pujos I have spent all my life, yet the essence of it remains the same. My entire city has come together to stand up for its daughter, Abhaya, and remind all that no one is ‘all-powerful’. Women, from all walks of life, joined by men have decided to stand up against the horrific rape and murder of Abhaya. The past few months, leading up to Pujo have seen women “claim the night” to fight for equality and safety at the workplace and the city has witnessed historic protests led and sustained by commoners. Durga Puja which is essentially the period that reminds us good has to triumph over evil started a little early this year. On 9 August 2024, the brutal rape and murder of Abhaya shook the core of every Bengali’s conscience. It made every Bengali pledge they would stand up for their daughter. People across the State have united, come forward, walked across the city protesting and lamenting the death of their daughter, and demanded safer spaces for women with a clarion call for ‘justice’.

The divine ‘Shakti’ has taken her form in the minds of thousands who have defied the ‘Asuric’ forces to unveil their collective strength and have embarked on the journey to ensure that every Durga is safe in this city which celebrates her every year. This year Pujo is symbolic of the culture that nurtures, hones, and empowers women, which sees women as equals in the societal structure and is determined to take over any forces that try to do otherwise. This time Maa Durga has not come in the form of idols. This time she has come in the form of ‘shakti’ which is keeping people on the roads protesting against injustices met out to the daughter of the city. This year Maa has come in the form of the collective consciousness which is running through the length and breadth of the city. The one that unites, the one that makes you believe in the spirit of the human race that has awakened to avenge every injustice and set things right.

Maa did not wait for Sarat to set in to come home. She came much before that and since her advent, the city has been engaged in a tumultuous fight with the ‘demonic forces’. The little Bengali girl in me who has grown up to the stories of her ‘Shakti’ is finally seeing it unfold before her eyes and I am more than certain, even this time, Maa will prevail. Justice shall prevail. This time the air does not only bear the fragrance of Pujo, it also carries with it the stories of gut, grit and courage. It carries Maa’s energy all over the city. It ushers in the new story of equality where men and women have again stepped in to ensure justice is met out to all.

On that note, Dugga Dugga to you all. I hope you all stand with her to join the right forces.

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By Srinivas Rayappa 

Rashmoni was born on 28 September 1793 in Kona village, (in present-day Halisahar) to the blissful couple Harekrishna Das and Rampriya Devi. Her mother passed away when she was just seven years old. She was married to Babu Rajachandra Das, the wealthy scion of a zamindar-businessman family of Janbazar, Kolkata, when she was just eleven years old. Her loving and understanding husband allowed her unfettered freedom, a trait that was slowly gaining popularity among the Bengali middle-class bhadralok society. The couple had four daughters.

Unfortunately, Rashmoni was widowed after the death of her husband in 1836. The untimely death of her husband and the muck of hetero-patriarchal casteism taught her all that she needed to know about the four-fold oppression (caste, creed, gender, and religion) of lower caste women in India. Despite severe resistance from other male members of the family, she assumed the responsibility of the businesses and finances of the Zamindari family, which was indeed rare for the times that she lived in. She wielded her power for the next 30 years, guided by her keen business acumen, solidarity with the underprivileged, a penchant for litigation, and a remarkable ability to take on patriarchy by its horns.

She had in-a-way defeated the dark undercurrents of deep-rooted patriarchy that existed in the 18th century, by standing up for what she firmly believed was rightfully hers. She went on to judiciously manage the finances and worked tirelessly throughout her life in the service of the underprivileged. The pious and humble homemaker had indeed transformed into a pragmatic and astute business woman. She had finally managed to defeat patriarchy in the Zamindari household.

In the 1840s, the fishing communities in the Bengal Presidency, which had flourished for several centuries, were facing a crisis for existence. Congnizant of the burgeoning business potential, the trading corporation of East India Company, turned its racketeering gaze towards the thriving fishing business in the placid waters of the Ganga. Through the months of February to October, small fishing boats would traverse through the waters of the Ganga, netting in bountiful harvests of the silvery hilsa, a supreme delicacy in Bengali cuisine. Under the pretext that the fishing expeditions impeded the free movement of ferries, the East India Company imposed a tax on fishing boats, a sinister move, that reduced river traffic while raking in extra revenue for the Company.

The anxious fisherfolk, mostly from the Jele Kaibaryta and Malo communities, whose livelihood was at stake, decided to travel to Calcutta and plead their case with the upper-caste Hindu landlords, hoping for their unflinching support for their cause. However, the wealthy landlords who were unwilling to risk souring of relationships with the British officers, turned their back towards the fishermen. Dismayed and demoralized, the fishermen, decided to approach Rashmoni Das, hoping that she would lend a supporting hand to their cause. Rashmoni wouldn’t disappoint and this would be her first battle against the cunning and shrewd ways of the British.

Using her business acumen and her litigation skills, Rashmoni, made the most incredible move which would checkmate the Britishers and be remembered in history books as one of the most remarkable events in the fight against the British’s imperial rule in India. 

Rashmoni made an offer to the East India Company to lease out a 10-km-long stretch of the Hoogly river, a distributary of the Ganga. Unmindful of the consequences, the East India Company unwittingly agreed to lease out the 10-km-long stretch to Rashmoni. Rashmoni smarty procured the lease-holding documents and proceeded to place two massive iron chains across the Ganga – at Metiabruz and Ghusuri – where the river arched like a bow and she permitted the fisherman to cast their nets in this barricaded private zone. Once the dinghies flocked the catchment zone, all the large commercial and passenger traffic on the Hoogly river came to a grinding halt. 

Flummoxed by the sudden turn of events, the officials of the East India Company, sent out notices seeking an explanation from Rashmoni. The sharp-witted Rashmoni, legally responded citing that as a leaseholder, she was entitled under the British Law, to protect the income generated from her property and that incessant riverine traffic made it extremely arduous for the fisherfolk to cast their nets inside the barricaded area, thus bringing down their profitability. She also subtly warned the British officials that she was more than willing to litigate on the matter and abide by the judicial verdict, if it came to that. With traffic coming to a grinding halt and boats queuing up along the riverfront, the officials realised that they had indeed been outsmarted by Rashmoni as they had very little or no legal recourse to confront her. Eventually, the East India Company gave in to their demands and were forced to withdraw the taxes imposed on the fisherfolk, giving them unfettered access to the entire stretch of the river Ganga. A Bengali shudra widow had outwitted the clueless Britishers using the Anglo-Saxon capitalism’s most potent weapon – “private property”. As if emboldened by this victory, Rashmoni defied the orders of the British when Puja processions were stopped on the pretext that they disturbed peace, which eventually forced the government to withdraw the orders. Thus she had managed to not only outwit the Britishers but had also defeated them and their sinister designs.

Raja Ram Mohan Roy, who was one of Raja Chandra Das’ close associates, on his very first interactions with Rashmoni, had witnessed a keen flame in her eyes. Thoroughly impressed by her compassionate disposition, Raja Ram Mohan Roy blessed her saying “May you dispel the darkness from the lives of hundreds of hapless women. May you live up to your name and become the queen of the masses.” Inspired by the lofty ideals of the Brahmo Samaj founded by the Roy, Rani Rashmoni played a pivotal role in voicing protests against polygamy, child marriage, and wife immolation – a diabolical practice also known as Sati. As a woman, she was instrumental in instigating the East India Company to abolish polygamy. She also tacitly supported Ishwar Chandra Vidyasagar’s campaign for widow remarriage.

Throughout her life, Rashmoni was involved in innumerable charitable works and made significant contributions to society. She pioneered the construction of a road from Subarnarekha river to Puri in an attempt to make the journey less arduous for pilgrims visiting the holy shrine. She funded the construction of ghats such as Babughat (in memory of her husband), Ahiritola Ghat and Nimtala Ghat for the daily bathers in the Ganges. Rashmoni continued donating money for the construction of ghats on the Hooghly. Rashmoni constructed and renovated nine ghats after the passing of her husband, which added significantly to her popular appeal. To the then Imperial Library (now the National Library of India) and Hindu College (now Presidency University), Rashmoni donated large sums of money. 

Rashmoni also helped transform the lives of misguided youth and gave them a fresh lease of life. Prince Dwarkanath Tagore had mortgaged a part of his Zamindari in now South 24 Parganas (part of present-day Santoshpur and adjoining areas) to Rashmoni for his passage to England. This part of land which was then a part of the Sunderbans was marshy and almost uninhabitable except for some families of thugs who found the area convenient to stay and venture out for plunders in far away places mounted on stilts. Rashmoni persuaded these families and helped them to build up fisheries in the surrounding water bodies that later turned into large, rich bheris. They gradually gave up their ‘profession’ of plundering and transformed into a community of fishermen.

Rani Rashmoni’s greatest achievement was probably the construction and establishment of the famous Dakshineswar Kali Temple in Kolkata. The turning point in Rashmoni’s life came in 1847 when, guided by a vision of the goddess Kali, she started the construction of the temple at Dakshineshwar, four miles north of Kolkata.

In 1855 an auspicious day was fixed for the installation of the deity at the temple. Since she was a shudra, Rani Rashmoni could not prevail upon any orthodox Brahmin to officiate as the priest for the auspicious ceremony. She consulted many renowned scholars, and one of them, Ramkumar Chattopadhyay, guided her out of the dilemma. She made a gift of the temple to her guru, a Brahmin, and provided funds for its maintenance by purchasing a big estate in Dinapur and endowing the temple with its income. Ramkumar Chattopadhyaya was appointed the priest of the temple, and after him his brother Gadadhar took over. Gadadhar was so thoroughly immersed in the contemplation of Kali that many people thought him mentally deranged. Rani Rashmoni was advised not to appoint him, yet with her intuition and insight she was convinced that his strange ways only showed the intensity of his religious fervour.

Once during the time of worship, Sri Ramakrishna sensed that her mind was engrossed in commercial matters and slapped her on the back. Outraged, the astonished people demanded that she dismiss and punish him. She silenced them by saying that the Divine Mother had illumined her heart through Sri Ramakrishna. A memorial shrine dedicated to her stands in the precincts of the Dakshineshwar Temple to this day.

In fond rememberance of Rashmoni and her humongous contributions to society,

1. An avenue in Esplanade, Kolkata is named after her as Rani Rashmoni Avenue, where her statue is also located.

2. A road is named after her as Rani Rashmoni Road near her ancestral house at Janbazar, Kolkata.

3. A road is named after her as Rani Rashmoni Road at Dakshineshwar.

4. The Department of Post of Government of India issued a postage stamp to memorialize the bicentennial of Rani Rashmoni in 1993.

5. A Ferry Ghat known as Rani Rashmoni Ghat has been built for ferry services in Barrackpore, West Bengal and in Hooghly, West Bengal.

6. One of the 5 Fast Patrol Vessels of Indian Coast Guard has been named after Rani Rashmoni. It was commissioned in June 2018 and will be based in Visakhapatnam (indigenously built by Hindustan Shipyard).

Rani Rashmoni has also been subject of a biographical film in Bengali language, titled Rani Rasmani (film) (1955), directed by Kaliprasad Ghosh, and wherein lead played by famous theatre personality and actress Molina Devi. Zee Bangla features a daily soap depicting the life of the illustrious Rani, captioned Karunamoyee Rani Rashmoni which premiered on 24 July 2017 and is telecasted daily.

The undaunted flame of hope that Rani Rashmoni was, reached the abode of God on February 1862, aged 68. As a feminist, an activist, a philanthropist, Rashmoni continues to be a beacon of hope in a country where women still feel disadvantaged and have to face oppression in every phase of their lives. 

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