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Durga Puja

By Parika Singh

As the epic tale of Ramcharitmanas drew to its culminating verses, Lord Ram won the battle with Ravan and rescued his kidnapped wife from the Lankan King. This day then symbolically became the victory of good over evil. Symbolically.

Unfortunately, Dussehra is no longer a day to reflect on the good or evil in our society or the good or evil within our minds and hearts. Somehow, it has been reduced to an overt competition to erect the tallest effigy—a feat allegedly claimed by Delhi this year.

Growing up, the day after Durga Pooja filled every little kid with excitement and anticipation for the Dussehra holiday. Even though it meant no school and a range of delicacies, I eagerly waited for the evening after the Shastra Pooja when my father would take us to the Dussehra Maidan nearby where half the city would accumulate to witness a spectacle. A great vantage point was everything and he would try to park the car at a place with a direct view and lift us to the top of the car so that we could see all the lights and colours of the effigy.

I remember being enthralled by the air of festivity and celebration, as the ground would be filled with bicycle vendors selling balloons, toys, and small figurines of Ram, Sita, and Ravan. As soon as the effigy would be lit, my dad would distribute leaves of Sona Patti or Apta so that we could exchange them and wish anyone we met along the way. Small effigies made out of mud would garland many houses and people in our colony would visit each other’s homes to foster a sense of community and togetherness to conclude the day. I wish I could hold on to those moments of childhood wonder and festivity all these years later.

Today the Dussehra Maidan in Indore has erected a mammoth effigy, 111 ft in height. The cleanest city in the country, which recently witnessed the brutal assault of two army officers and the gangrape of their female friend. Haryana outshone it by constructing a 125 ft Ravan to celebrate the arrival of harvest season in agriculture, as lakhs of farmers still protest against crop prices. In the end, though, Delhi won the effigy battle with a 211 ft one in Dwarka.

While Dussehra also symbolizes the victory of Goddess Durga over Mahishasur, Delhi continues to grapple with crimes against women, and its Chief Minister Atishi Marlena was evicted from her residence.

Although the limelight on this effigy is beneficial to showcase the talent of local artists, somewhere between the small mud effigies outside houses to this 211 ft exhibition in the capital city, it is time to question whether burning them eclipsed the true significance of this day. Will good truly triumph over evil tonight?

Prime Minister Narendra Modi has been invited to the event and whether he accepts or not, over two feet tall structure of Ravan will be lit on fire tonight as 75 men, women, and elders from Ladakh are on their 7th day of hunger strike in Ladakh Bhavan, seeking their right of self-governance and cautioning our country against the disastrous effects of climate change.

The very same Ravan, who is worshipped in several parts of India including Kanpur and Bisrakh in Uttar Pradesh, Mandsaur in Madhya Pradesh, Jodhpur in Rajasthan, Gadchiroli in Maharashtra, etc. In fact, our rich culture and heritage are diverse enough to thrive alongside several tribal communities such as Santhal, Asur, Korku, and Turuva which are devoted followers of Mahishasur and dedicated preservers of their indigenous land and environment.

Perhaps then this day stands for something bigger than the mere deaths of Ravan or Mahishasur. Perhaps communities coming together regardless of their religion or caste or region is far more fundamental to the spirit of Dussehra.

Each time we protect the environment that sustains us, support the causes that uplift us, extend kindness and compassion to those who need us, and reflect upon our faults, misgivings, and biases, we truly bring Ram and Ravan, Devi and Asur, Farmer and Industrialist, Politician and Voter- together as Indians, who chose good, who triumphed evil and now deserve to exchange gold leaves and commemorate the essence of Dussehra.

And nothing could articulate this with more beauty and panache than this verse by lyricist Javed Akhtar,

Ram Hi To Karuna Mein Hai, Shanti Mein Ram Hain
Ram Hi Hai Ekta Mein, Pragati Mein Ram Hain
Ram Bas Bhakton Nahin, Shatru Ke Bhi Chintan Mein Hain
Dekh Taj Ke Paap Raavan, Ram Tere Man Mein Hain
Ram Tere Man Mein Hain, Ram Mere Man Mein Hain
Ram To Ghar Ghar Mein Hain, Ram Har Aangan Mein Hain
Man Se Rawan Jo Nikale, Ram Usake Man Mein Hain…”

(Ram is in compassion, Ram is in peace

Ram is in unity, Ram is in progress

Not just a devotee, Ram is in the thoughts of enemies too

Sacrifice your sins Ravan and see, Ram is in your heart

Ram is in your heart, Ram is in my heart

Ram is in every home, Ram is in every courtyard

Whoever removes Ravana from within, Ram is in their heart)

With these words, I wish you a very happy and thoughtful Dussehra.

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By Lauren Prem

“The first revolution is when you change your mind” – Gil Scott-Heron

Festivals and traditions bring people together, be it for sharing joy or age-old miseries! The yearly routine of sculpting Durga goddess’s idol for Dussehra, has taken a revolutionary turn this year as sex workers in Sonagachi refuse to give brothel soil for sculpting the Durga goddess, as a form of protest demanding safety and justice for women in the society. The Hindu tradition involves fulfillment of certain sacred requirements when it comes to collecting soil for sculpting the Durga idol. One of the requirements, that has turned extremely controversial, is the use of brothel soil for sculpting.

People from different sections of the society joined the RG Kar Protest, including sex workers from Sonagachi. They gave a radical touch to this protest by stating that they would not give soil for Durga till justice is served. The tradition of soil collection also entails that no one must demand soil from sex workers. Rather, it must be requested. Therefore, the eve of Durga depicts an ironic, sad situation where sex workers, who are otherwise excluded from the society, are requested for soil.

The particular demand of Sonagachi sex workers is not merely justice to the victim of the RG Kar rape and murder case. More so, this case is being used by the sex workers to highlight the pathetic situation of women across the country in general and sex workers in particular. By ‘till justice is served’, they mean to emphasize the cruelty inflicted upon women in our country. While putting forth their demands, they precisely stress upon the fact that sex workers’ families and children do not have the sense of security that other families generally do.

The RG Kar rape and murder case is not the main reason for the refusal of brothel soil. A sex worker clarified that the important reason for this refusal is due to the lack of acceptance regarding the profession of sex work itself. Further, they also underscore the safety of women to be at stake in every place, not just brothels and how reporting of such cases are very less compared to the actual incidents that take place.

Numerous beliefs are attached to the use of brothel soil for Dussehra. According to Vedic studies, nine women are worshipped for Durga Puja. A nati (dancer/actress), a vaishya (prostitute), rajaki (laundry girl), a brahmani (Brahmin girl), a shudra, a gopala (milkmaid) form these nine categories, also known as ‘Navakańyās.’ The use of brothel soil is considered to be a form of worship or respect to one of these nine categories of women – the Vaishyas.

This Vedic interpretation that bases the tradition on worship and respect flies in the face of reality. Symbolic traditions of reverence hold no value when someone’s reality is filled with struggles. The NHRC survey on rehabilitation, poverty eradication and employment generation revealed the true condition of sex workers in the districts of Kolkata. The report suggested, an obvious fact that majority of the sex workers lived in poverty. The shocking fact is that around 80% of the workers professed sex work unwillingly.

Another prominent belief underlying this tradition is the brothel soil being a place where people shed their virtuous attributes and enter the world of carnal desire and sin. This is a long-ingrained stereotype that has totally led to ostracization of sex workers. The stereotype is premised on the belief that sex work itself is an undignified job and therefore, they do not deserve to lead a life with dignity.

The plight of sex workers, recorded in the NHRC survey mentioned above, reveals an absence of dignity that all of us, common people, assert to be a matter of basic right. The constitution that upholds right to dignity under article 21 – right to life, has practically failed. The provision which begins with the term ‘no person’ implies a sense of dignity for all, and not to a few persons. Yet, discrimination based on stereotypes are the reality of life, a curse that law has failed to cure.

Festivals generally symbolise happiness, love and unity among people. On the flip side, they reflect a dark reality – one where people are celebrated without being accorded the most basic human rights. As Gil Scott-Heron states, The first revolution is when you change your mind.” Sex workers have changed their mind about hypocritic traditional symbols that portray love and reverence only during the time of festivals and not otherwise. The society must not have the benefit of portraying itself as unified and loving when it is not.

Durga Puja – a festival celebrating women, ironically excludes certain women from leading a dignified life like others. A thousand judgements upholding sex workers’ rights would prove to be unfruitful if we as a society recognize do not them as equals with dignity. Laws and verdicts would be useless if the reality presents an entirely different scene. While law certainly is the first step, societal changes that shape mindsets, subsequently make the society a comfortable place for everyone to live!

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  • By Aritri Roy Chowdhury

Ask any Bengali, she will tell you that the advent of autumn (sarat) is marked by the fragrance of Pujo in the air or as we say in Bangla “Pujo pujo gondho hawaye”.

Pujo, Durga Pujo, is Bengal’s biggest cultural and religious celebration. Panchami to Dashami is 5 days filled with festivities eagerly awaited by all Bengalis across the globe. Being born and raised in a typical Bengali household and having grown up in Kolkata, Pujo marks a week of celebrations and good food for me. As children, we used to wait all year long for these five days. Pujo meant new clothes, good food, unlimited playtime, and “thakur dekha” (going around different pandals to see the Maa Durga’s idol). During Puja, we would gather at my grandparents’ house where our otherwise nuclear families would seamlessly integrate into a giant joint family. My father and uncles would take over the kitchen and household chores so that the women could take part in the festivities and enjoy. In fact, whenever there were any celebrations in the house or during weekends, the men took over the kitchen and my father’s eldest brother, my Jeu, was assigned the job of looking after all the children in the house. Jeu would feed us, bathe us, tell us stories, and take us out to nearby pandals. We never felt anything lacking in the caregiving process. Men and women equally participated in all household assignments.

As a child, I did not realize the immense significance of this seemingly tiny system in my house, but as an adult, I did. Law school was the first time I came across men who couldn’t cook or do any of the basic household chores and looked upon these tasks as only meant for ‘women’. I was taken aback. For me, the distinction between men and women never existed. I had grown up with three cousins, all boys, and never felt, or was made to feel, that I was any less than them. I was never asked to do anything at home because I was the ‘sister’ or the ‘girl’. Women in my family did not ‘serve’ men. They worked as a team. I understood much later that most Bengali households function similarly. Being in a girls’ school, I was surrounded by women all my life. Strong, independent women raised by parents who saw the child as a child and attached no merit to the child’s gender.

Durga Pujo to me is much like the normal Bengali household; it celebrates women and the entire city comes together to bask in the glory of the divine power that symbolizes victory of good over evil.

We were told the story of Durga Maa by my grandmother. Maa Durga, also called ‘Mahishasurmardini’ killed the deceitful, shape-shifting demon- Mahisasur. Legend goes that Mahisasur was granted a boon that he could not be killed by a ‘man or animal’. Thus, he assumed he was immortal and invincible because, for him, a woman was the weaker sex, who did not have the strength to defeat him. It was this arrogance that led to his downfall.  Maa Durga, the Shakti that runs the Universe, not only killed Mahisasur but also vanquished his pride of being a ‘man’, of being more ‘powerful’ than a woman.

This year’s Pujo somehow has brought the legend back to life. It is different from the Pujos I have spent all my life, yet the essence of it remains the same. My entire city has come together to stand up for its daughter, Abhaya, and remind all that no one is ‘all-powerful’. Women, from all walks of life, joined by men have decided to stand up against the horrific rape and murder of Abhaya. The past few months, leading up to Pujo have seen women “claim the night” to fight for equality and safety at the workplace and the city has witnessed historic protests led and sustained by commoners. Durga Puja which is essentially the period that reminds us good has to triumph over evil started a little early this year. On 9 August 2024, the brutal rape and murder of Abhaya shook the core of every Bengali’s conscience. It made every Bengali pledge they would stand up for their daughter. People across the State have united, come forward, walked across the city protesting and lamenting the death of their daughter, and demanded safer spaces for women with a clarion call for ‘justice’.

The divine ‘Shakti’ has taken her form in the minds of thousands who have defied the ‘Asuric’ forces to unveil their collective strength and have embarked on the journey to ensure that every Durga is safe in this city which celebrates her every year. This year Pujo is symbolic of the culture that nurtures, hones, and empowers women, which sees women as equals in the societal structure and is determined to take over any forces that try to do otherwise. This time Maa Durga has not come in the form of idols. This time she has come in the form of ‘shakti’ which is keeping people on the roads protesting against injustices met out to the daughter of the city. This year Maa has come in the form of the collective consciousness which is running through the length and breadth of the city. The one that unites, the one that makes you believe in the spirit of the human race that has awakened to avenge every injustice and set things right.

Maa did not wait for Sarat to set in to come home. She came much before that and since her advent, the city has been engaged in a tumultuous fight with the ‘demonic forces’. The little Bengali girl in me who has grown up to the stories of her ‘Shakti’ is finally seeing it unfold before her eyes and I am more than certain, even this time, Maa will prevail. Justice shall prevail. This time the air does not only bear the fragrance of Pujo, it also carries with it the stories of gut, grit and courage. It carries Maa’s energy all over the city. It ushers in the new story of equality where men and women have again stepped in to ensure justice is met out to all.

On that note, Dugga Dugga to you all. I hope you all stand with her to join the right forces.

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